![]() ![]() Designers took inspiration from things as real as the revolutionary 1961 Soviet-crewed spaceflight Vostok 1 and as fictional as Forbidden Planet, Lost in Space, and Flight to Mars. The movement fed on fantasies of flying cars, unknown alien civilizations, and men stretching their legs on every moon and planet they could find. Hot on the heels of the Cold War and international Space Race, it found inspiration in the exploration of unimaginable futures and the immeasurable vastness of our universe. Though the space age movement technically began in the 1950s, it flourished in the ‘60s. Helmed by Paco Rabanne and Jacques Fonteray, Barbarella’s costume design serves to flawlessly encapsulate the invigorating aesthetics of the space age movement. The film’s moral revelations, however, have nothing on the boundless provocativity of its costume design, which practically invented molded body plates and chainmail dresses. Both Fonda and Vadim were emphatic that Barbarella had no sense of guilt about her body or bold sexuality. ![]() Barbarella (Jane Fonda) herself is a scantily clad space-traveler of the 41st century whose sexuality and freeness are impossible to measure against our contemporary morality. It cares more about sex politics than elevating what was a largely neglected genre because Vadim wanted a playful spectacle rather than a cerebral exercise. Roger Vadim’s 1968 space drama Barbarella takes kitschy sci-fi to an alternate dimension, one of campy eroticism.
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