![]() He later said that he paid for his voluminous collecting with family money that had been generated by investing with Warren Buffett when the future multibillionaire, who has been called the “greatest investor ever,” was early in his career. agent, or else somehow funded by the agency. Rumors long swirled that Dodge was a C.I.A. The Zimmerli Art Museum has 12 important archives related to its Dodge Collection of Soviet Nonconformist Art that provide valuable primary source material. We didn’t know if he worked for the K.G.B. He was a mysterious figure-a professor obviously with money. He introduced himself as an American professor interested in Russian art. The museum houses more than 60,000 works, including Russian and Soviet Nonconformist Art from the acclaimed Dodge Collection, American art from the. This part of the collection spans styles and subjects that represent Russia’s diverse. The Imperial era of Russian art is represented through George Riabov’s 1990 donation. ![]() It was a threat, a constant physical threat. The museum houses more than 60,000 works, including Russian and Soviet Nonconformist Art from the acclaimed Dodge Collection, American art from the 18th. The Zimmerli’s Russian and Soviet nonconformist art holdings contain over 22,000 objects and provide a unique overview from the fourteenth century to the present. “We were all scared to death, all of us, including him,” one of the dissident artists is quoted saying of Dodge in McPhee’s story. McPhee wrote that, while the professor hunted for art in the intensely surveilled Soviet Union, “Dodge was, to say the least, somewhat threatening to the artists, but they were willing to accept the risk.” In the late ’70s, Dodge stopped traveling to the USSR, citing concerns he might be detained, though he continued to collect from abroad. In 1994, Norton Dodge was the subject of a memorable profile in the New Yorker by John McPhee called “The Ransom of Russian Art,” which became a book, also by McPhee, of the same name. Please email Julia Tulovsky at for inquiries regarding the Zimmerli’s collection of Russian and Soviet art, including scheduling an appointment to access artworks, archival materials, and the noncirculating library.Rostislav Lebedev, Direction of Movement, 1981. The Research Center for Russian and Soviet Nonconformist Art invites inquiries regarding the works in the Russian collections, a portion of which is accessible online via the Zimmerli’s collection database. A generous gift by Claude and Nina Gruen extended the Zimmerli’s Russian art holdings to the 1990s and 2000s. In addition to Soviet nonconformist art, the art of Russian imperial and early Soviet eras is represented in the George Riabov Collection of Russian Art, which includes paintings, sculptures, maps, folk prints, lubki, Ballet Russes set and costume design, works by the Avant-Garde, and a collection of rare books from the 1900s through 1930s. The collection is accompanied by extensive archives of documents, correspondence, audio and video interviews with artists, and documentary photographs, as well as a noncirculating library of related books. The Zimmerli’s Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union is the largest collection of its kind in the world, with more than 20,000 works of art, including paintings, installations, drawings, prints, photographs, and posters. The Zimmerli's Research Center for Russian and Soviet Nonconformist Art welcomes students and scholars interested in our Russian art collections and archives.
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